RICERCA ITALIANA     

Programmi di ricerca simili:

• 1 - La ricerca qualitativa: teorie, metodi ed applicazioni
• 2 - Web Ram: web retrieval and mining
• 3 - Approccio integrato al riconoscimento di taxa problematici della meiofauna marina: realizzazione di volumi della serie "Fauna d'Italia" e sviluppo e valutazione di tecniche di DNA-barcoding per l'identificazione di Gastrotrichi, Proseriati e Rotiferi
• 4 - Il disegno sottostante la pittura - parte IV
• 5 - La nascita dell'individuo europeo: il tema dell'individualità come problema filosofico

Classificazione scientifico-disciplinare

• Area scientifico disciplinare: Scienze dell'antichità, filologico-letterarie e storico-artistiche
  • ARCHEOLOGIA, STORIA DELL'ARTE E FILOSOFIE DELL'ASIA ORIENTALE
  • LINGUE E LETTERATURE DELLA CINA E DELL'ASIA SUD-ORIENTALE
• Area scientifico disciplinare: Scienze politiche e sociali
  • STORIA E ISTITUZIONI DELL'ASIA

Classificazione geografica

• Regione: Lazio

Bibliografia

"Art That Serves Proletarian Politics." China Reconstructs, February 1968, pp. 18-25.
Andrews, Julia and Kuiyi Shen. "Innovations in Chinese Painting (1850 - 1950)." Website for China: 5,000 Years, Guggenheim Museum SoHo, 1998.
Andrews, Julia and Kuiyi Shen. "Transformations of Tradition, 1980 to the Present." Website for China: 5,000 Years, Guggenheim Museum SoHo, 1998.
Andrews, Julia. "Traditional Painting in New China." Journal of Asian Studies, 49, no. 3 (August 1990), pp. 555-585.
Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.
Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996. Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.
Chang, Arnold. "Modern Expressions of the Literati Aesthetic in Chinese Painting." Orientations, August 1986, pp. 33-43.
Chang, Arnold. Painting in the People's Republic of China: The Politics of Style. Boulder, Colorado: Westview Press, 1980.
Clarke, David. "Exile from Tradition: Chinese and Western Traits in the Art of Lin Fengmian." Oriental Art, vol. 39, no. 4 (Winter 1993/94), pp. 22-29.
Clunas, Craig. "Chinese Art and Chinese Artists in France, 1924-25." Arts Asiatiques 44 (1989), pp. 100-106.
Cohen, Joan Lebold. "Art in China Today: A New Freedom–Within Limits." Art News, vol. 79, Summer 1980, pp. 60-68.
Cohen, Joan Lebold. Painting the Chinese Dream: Chinese Art Thirty Years After the Revolution. Northampton, Massachusetts: Smith College Museum of Art, 1982. Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.
Croizier, Ralph. "Chinese Art in the Chiang Ch'ing Era." Journal of Asian Studies, 38, pp. 303-311.
Croizier, Ralph. Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951. Berkeley and Los Angeles: University of California Press, 1988.
Egan, Charles. "The Future of the New Chinese Art." Limn Magazine, issue 2 (August 1998), pp. 4-11.
Ellsworth, Robert Hatfield. Later Chinese Painting and Calligraphy, 1800-1950, 3 volumes. New York: Random House, 1986.
Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.
Janicot, Eric. "La Peinture Chinoise Moderne un Art à l'Écoute de l'Occident (1919-1948)." Gazette des Beaux-Arts, vol. 107, ser. 6 (May-June 1986), pp. 217-220.
Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.
Kang, Ha-Ku, ed. Modern Chinese Painting. Japan Publications, 1984.
Kao, Mayching, ed. Twentieth-Century Chinese Painting. Hong Kong: Oxford University Press, 1988.
Lai, T. C. Ch'i Pai Shih. Seattle: University of Washington Press, 1973.
Laing, Ellen Johnston. "Chinese Peasant Painting, 1958-1976: Amateur and Professional." Art International, vol. 27, no. 1, pp. 1-12.
Li Chao A History of Oil Painting in Shanghai, Shanghai: Shanghai People's Fine Arts Publishing House, 1995.
Li, Chu-tsing. Trends in Modern Chinese Painting (The C.A. Drenowatz Collection). Ascona: Artibus Asiae Supplementum 36, 1979.
Liao, Jingwen. Xu Beihong–Life of a Master Painter. Translated by Zhang Peiji. Beijing: Foreign Languages Press, 1987.
MacRitchie, Lewis. "Report on Wartime Painting in China." Pacific Art Review, vol. 4 (1945-1946), pp. 47-55.
Mao, Zedong. Mao Tse-tung on Literature and Art. Beijing: Foreign Languages Press, 1960.
Murray, Michael. Avant-Garde Chinese Art: Beijing/New York. New York, 1986.
Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.
Pollard, David. "The Controversy over Modernism, 1979-1984." China Quarterly 85 (December 1985), pp. 641-656.
Raddock, David M. "Beyond Mao and Tiananmen: China's Emerging Avant-Garde." The New Art Examiner, March 1995, pp. 25-27, 54.
Relationship to Reforms in Education in Early Twentieth-Century China." New Asia Academic Bulletin, vol. 4, pp. 373-400.
Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.
Skoggard, Ross. "Report from China: Chinese Art, from Tao to Mao." Art in America, no. 64 (November-December 1976), pp. 52-55.
Square Studio. The Discussion of Chinese Art in the Period of Transformation. Beijing: Central Academy of Fine Arts and Konrad-Adenauer-Stiftung, 1997.
Sullivan, Michael. The Meeting of Eastern and Western Art. Berkeley and Los Angeles: University of California Press, 1989.
Sullivan, Michael. "Art in Today's China: Social Ethics as an Esthetic." Art News, vol. 73, September 1974, pp. 55-57.
Sullivan, Michael. "New Directions in Chinese Art." Art International, vol. 25 (1982), pp. 40-58.
Sullivan, Michael. "Recollections of Art and Artists in Wartime Chengdu." The Register of the Spencer Museum of Art, vol. 6, no. 3 (1986), pp. 6-19.
Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.
The Art of the Gao Brothers of the Lingnan School. Guangdong Painting Series 2. Hong Kong: Art Museum, The Chinese University of Hong Kong, 1995.
The Art of Xu Beihong. Hong Kong: Urban Council, 1988.
Tseng, Yu-ho. Some Contemporary Elements in Classical Chinese Art. Honolulu: University of Hawaii Press, 1963.
Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Winter 1991-1992), pp. 25-43 and vol. VI, no. 4 (Spring 1992), pp. 1-18.
Wan, Qingli. "Traditionalism,Reform and Modernism in Twentieth Century Chinese Painting." Orientations, vol. 23, no. 7 (July, 1992), pp. 22-27.
Wang Hanwen. The Best of Chinese Revolutionary Art Works. Tianjin: Tianjin People's Fine Arts Pub. House, 1994.

Parole Chiave

CINA; PITTURA; MODERNA; SOCIETA'