RICERCA ITALIANA     

Programmi di ricerca simili:

• 1 - Memoria e rappresentazione nella riflessione filosofia e artistica
• 2 - Immagine e immaginazione: storia, genesi, metodi, statuti
• 3 - La nascita dell'individuo europeo: il tema dell'individualità come problema filosofico
• 4 - Etica e pluralismo
• 5 - La metafisica tra a priori e a posteriori
• 6 - Razionalità, tecnica e conflitto. L'eredità di Prometeo.
• 7 - 'Mathesis Universalis', oggetti astratti e processi formali.
• 8 - Vita e forme della cultura in età moderna e contemporanea
• 9 - Il potere e la parola: religione, politica, comunicazione

Classificazione scientifico-disciplinare

• Area scientifico disciplinare: Scienze storiche, filosofiche, pedagogiche e psicologiche
  • FILOSOFIA TEORETICA
  • FILOSOFIA MORALE
  • ESTETICA
  • FILOSOFIA E TEORIA DEI LINGUAGGI
  • STORIA DELLA FILOSOFIA

Classificazione geografica

• Regione: Lazio

Bibliografia

A) Sull’esperienza estetica:

R. Bubner, Aesthetische Erfahrung, Frankfurt, Suhrkamp, !989
D.E.W. Fenner,. The Aeshetic Attitude, New Jersey Humanitis Press, 1996
D. Grünewald, (a cura di) Aesthetische Erahrung: Perspektiven aesthetischer Rationalität, Velber, Friedrich 1997
M. Dufrenne, Phéoménologie de l’expérience esthétique, Paris, PUF, 1953 ; riedizione 2004
M. Beardsley, Aesthetic Experience regained, in “Journal of Aesthetics and Art Criticism”, 1969.
N. Carrol, Aesthetic Experience Revisited, in “The British Journal of Aesthetics”, 2002
G. Dickie, The Myth of Aesthtetic Attitude, in “American Philosophical Quarterly”, 1964
G. Genette, L’oeuvre de l’art, vol. 2 : La rélation esthétique, Paris, Seuil, 1997
M. Mitias, The Possibility o Aesthetic Experience, Dordrecht, M. Nijhoff, 1988
R. Shusterman, The End of Aesthetic Experience, in ““Journal of Aesthetics and Art Criticism”, 1997
J. Stolnitz, The Aesthetic Attitude and the Rise of Modern Aesthetics, “Journal of Aesthetics and Art Criticism”, 1978.
J. Urmson, What makes a situation Aesthetic? In “Procedins of the Aristotelian Society”, 1957.
H.R. Jauss, Aesthetische Erfahrung und Literarische Hermeneutik, Frankfurt, Suhrkamp, 1982
E. Brady, Imagination and the aesthetic Appreciation of Nature, The Journal of Aesthetic and Art Criticism, 1998
M. Budd, The Aesthetic Appreciation of Nature, Oxford, Clarendon Press, 2002
A. Carlson, Aesthetics and the Environment, London-New York, Routledge, 2000
N. Carrol, On Being moved by Nature: Between Religion and Natural History, in S. Kemall e Gaskell (eds.), Landscape, Natural Beauty, and the Arts, Cambridge, Cambridge U.P., 1993
P. D’Angelo, Estetica della Natura. Bellezza naturale, paesaggio, arte ambientale, Roma-Bari, Laerza, 2001.
P.M. Matthews, Scientific Knowledge and the Aesthetic Appreciation of Nature, The Journal of Aesthetic and Art Criticism, 1998
R. Stecker, The Correct and the Appropriate in the Appreciation of Nature, British Journal of Aesthetics, 1997
N. Zangwill, Formal Natural Beauty, Proceedings of the Aristotelian Society, 2002
M.C. Beardsley, What is an Aesthetic Quality?, Theoria, 1973
J. Bender, Realism, Supervenience, and Iresolvable Aeshetic Disputes, The Journal of Aesthetic and Art Criticism, 1996
E. Brady e J. Levinson (eds.) Aesthetic Concepts: Essays after Sibley, Oxford, Oxford University Press, 2000
T. Cohen, Aesthetic-Non aesthetic and the Concept of Taste, Theoria, 1973
A. Goldman, Aesthetic Qualities and Aesthetic Value, Journal of Philosophy, 1990
G. Hemeren, Aesthetic Qualities, Lund, Lnd Unversiy Press, 1988
J.E. McKinnon, Aesthetic Supervenience, For and Against, British Journal of Aesthetics, 2001
P. Kivy, What makes ‘Aeshtetic’ Terms Aesthetic?, Phlosophy and Phenomenoogical Research, 1988
J. Levinson, Aesthetic Supervenience, The Sothern Journal Philosophy,
1984

Sull'oggetto estetico:
Testi di riferimento:
W. Conrad, Der ästhetische Gegenstand (eine phänomenologische Studie), in “Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft”, III, 1908, IV;
M. Geiger, Beiträge zur Phänomenologie des ästhetischen Genusses, Halle, 1913
R. Ingarden, Das Literarische Kunstwerk, Tübingen 1931
R. Ingarden, Erlebnis, Kunstwerk und Werk, Tübingen, 1969
G.G. Špet, Javlenie i smysl (Fenomeno e significato), PE, Moskva 1914,
G.G. Špet, Germenevtika i ee problemy (L’ermeneutica e i suoi problemi), in “Kontekst” 1989,1990 e1991
M. Bachtin, K filosofii postupka (1920-1924), in Filosofija i sociologija nauki i techniki. Ežegodnik 1984-1985, Mosca 1986
A. Schutz, Fragments on the Phenomenology of Music, (ed. 1976)
G. Piana, Filosofia della musica, Milano, 1991
R. Wollheim, Art and its Objects, New York 1968 R. Wollheim, Painting as an Art, Princeton 1987
G. Dickie, The Art Circle, Chicago, 1984.
N. Goodman, Languages of Art, Indianapolis, 1967 R. Scruton, Art and Imagination, London, 1974
K. Walton, Mimesis as Make-Believe, Cambridge (Mass.), 1990
Peter Kivy, Sound Sentiment, Philadelphia, 1989
G. Scaramuzza, Le origini dell’estetica fenomenologica, Padova 1976;
F. Fellmann, Phänomenologie als ästhetische Theorie, Freiburg, 1989;
J. Levinson, Music, Art and Metaphysics, Ithaca (N.Y.), 1990.
J. Levinson, The Pleasures of Aesthetics, Ithaca and London, 1996.
N. Carrol, Philosophy of Art, London, 1999;
F. Bollino (a cura di), Estetica analitica, I e II, fascicoli monografici di “Studi di Estetica”, nn. 27 e 28, 2003 e 2004;
D. Angelucci, L’oggetto poetico. Conrad, Ingarden, Hartmann, Macerata, 2004;
A. Mazzoni, La musica nell’estetica fenomenologica, Milano, 2004;
G. Matteucci (a cura di), Elementi di estetica analitica, fasc. monografico di “Disciplne filosofiche”, 2/2005 (in corso di stampa.

Su Visual culture ed estetica analitica:
J.Evans, S. Hall (a cura di), Visual Culture, Londra, Sage, 2004.
H. Foster (a cura di), Vision and Visuality, New York, The New Press, 1988.
L. Wells (a cura di), The Photography Reader, Londra, Routdledge, 2003
"October", n. 77, 1996
K. Askew, Richard R. Wilk ( a cura di), The Anthropology of Media, Oxford, Blackwell, 2002.
J. Crary, Suspensions of Perception. Attention, Spectacle and Modern Culture, Cambridge, MIT Press,1999.
J.J. Gibson, The Ecological Approach to the Perception of Pictures, “Leonardo”, 11 (1978), pp. 227-35
S. Moriarty, Visual Communication as a Primary System, “Journal of Visual Literacy”, 14 (1994), pp. 11-21
M. Rollins, Pictorial Representation, in B. Gaut – D. McIver Lopes (eds.), The Routledge Companion to Aesthetics, London – New York, Routledge 2001, pp. 297-312
R. Scruton, “Photography and Representation”, in Id., The Aesthetic Understanding: Essays in the Philosophy of Art and Culture, London, Methuen 1983, pp. 102-26
R. Wollheim, On Pictorial Representation, “Journal of Aesthetics and Art Criticism”, 56 (1998), pp. 217-26

Sulle trasformazioni nell'arte:
Beardsley M.C., Aesthetics. Problems in the Philosophy of Criticism; Hackett Publishing 1958.
Carroll N., Interpreting the Moving Image, Cambridge U.P. 1998.
Cavell S., Must we mean what we say?, Cambridge U.P. 2000.
Cavell S., The Claim of Reason. Wittgenstein, Skepticism, Morality, and Tragedy, Oxford U.P. 1979.
Cometti J.P., Morizot J., Pouivet R., Questions d’esthétique, Presses Universitaires de France, Paris 2000.
Currie G., An Ontology of Art, Saint Martin’s 1989.
Currie G., Image and Mind: Film, Philosophy and Cognitive Science, Cambridge U.P. 1995.
Danto A.C., After the End of Art. Contemporary Art and the Pale of History, Princeton U.P. 1997.
Danto A.C., The Philosophical Disenfranchisement of Art, Columbia U.P. 1986.
Danto A.C., The Transfiguration of the Commonplace, Harvard U.P. 1981.
Davies S., Definitions of Art, Cornell U.P. 1991.
Dewey J., Art as Experience, New York, 1934.
Dickie G., Art and the Aesthetics, Cornell U.P. 1974.
Goodman N., Of Mind and Others Matters, Harvard University Press, Cambridge, Massachusetts, 1984.
Goodman N., Ways of Worldmaking, Hackett Publishing, Indianapolis 1978.
Hopkins R., Picture, Image and Experience. A Philosophical Inquiry, Cambridge U.P. 1998.
Kivy P., Philosophies of Arts, Cambridge U.P. 1997.
Levinson J., Music, Art, and Metaphysics, Cornell U.P. 1990.

Testi essenziali della tradizione ermeneutica in vista di un confronto con quella analitica:
J. L. Austin, Philosophical Papers (1961); J. Derrida, De la grammatologie (1967), Limited Inc. (1988); H.G. Gadamer, Wahrheit und Methode (1960); M. Heidegger, Unterwegs zur Sprache (1959); L. Pareyson, Estetica. Teoria della formatività (1954), Verità e interpretazione (1971); R. Rorty, Philosophy and the Mirror of Nature (1979), Contingency, Irony and Solidarity (1989); L. Wittgenstein, Philosophical Investigations (1953), Lectures and Conversations on Aesthetic, Psychology and Religious Belief (1966).

Parole Chiave

ESTETICA; STORIA DELL'ESTETICA; FILOSOFIA ANALITICA; FENOMENOLOGIA; ERMENEUTICA