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RESEARCH PROGRAM
italiano - inglese
Research Units
- Università degli Studi di BARI
CHIMICA
BARI(BA) - Università degli Studi di PARMA
CHIMICA GENERALE ED INORGANICA, CHIMICA ANALITICA, CHIMICA FISICA
PARMA(PR) - Università degli Studi di MODENA e REGGIO EMILIA
CHIMICA
MODENA(MO) - Università "Cà Foscari" di VENEZIA
CHIMICA FISICA
VENEZIA(VE) - Università degli Studi di BOLOGNA
ARCHEOLOGIA
BOLOGNA(BO)
Similar research programs:
- 1 - ATELIER, WORKSHOP, YARD. TECHNIQUES AND CULTURE OF THE PRODUCTION IN THE ROMAN WORLD
- 2 - SCIENCE OF ANCIENT MATERIALS DERIVED FROM GEO-MATERIALS: basic Geosciences knowledge applied to the study of metals and glassy-materials
- 3 - "Vesuviana": from documents to contexts
- 4 - Identification of the application fields of innovative non-destructive and microdestructive methods for the analysis of historical – archaeological ceramic findings through the systematic comparison with the traditional methodologies.
- 5 - Novel technologies for assessing the level of deterioration of metals
- 6 - Colors and balms in antiquity: from the chemical study to the knowledge of technologies in cosmetics, painting and medicine.
- 7 - Humanistic research and new technologies - multimedia and diagnostic tools as scientific fundaments and technical resources for conservation, museology and art techniques
- 8 - PETRO-ARCHAEOMETRIC APPLIED TO THE INDIVIDUATION AND KNOWLEDGE OF THE ANCIENT CERAMIC PRODUCTIONS OF THE SOUTH ITALY AND SICILY
- 9 - Along the aroma and spice routes. The port of Sumhuram and the trade between the Mediterranean, Arabia and India in preislamic times in the light of recent archaeological, historical-literary, palaeo-environmental and archaeometric data.
- 10 - Re-reading Pompei. The development and transformation of the city from its origins to its destruction.
Scientific and education field classification
International Patent Classification
- PHYSICS
- MEASURING (counting G06M); TESTING
- INVESTIGATING OR ANALYSING MATERIALS BY DETERMINING THEIR CHEMICAL OR PHYSICAL PROPERTIES (separating components of materials in general B01D, B01J, B03, B07; apparatus fully provided for in a single other subclass, see the relevant subclass e.g. B01L; measuring or testing processes other than immunoassay, involving enzymes or micro-organisms C12M, C12Q; investigation of foundation soil in situ E02D1/00; sensing humidity changes for compensating measurements of other variables or for compensating readings of instruments for variations in humidity, see G01D or the relevant subclass for the variable measured; testing or determining the properties of structures G01M; measuring or investigating electric or magnetic properties of materials G01R; systems or methods in general, using reception or emission of radiowaves or other waves and based on propagation effects, e.g. Doppler effect, propagation time, direction of propagation, G01S; determining sensivity, graininess, or density of photographic materials G03C5/02; testing component parts of nuclear reactors G21C17/00; [N: controlling or regulating non-electric variables G05D; measuring degree of ionisation of ionised gases, i.e. plasma H05H1/00A; testing electrographic developer properties G03G15/08H6])
- MEASURING (counting G06M); TESTING
Geographical classification
- Region: Puglia
Keywords
MICRODESTRUCTIVE ANALYTICAL CHEMICAL METHODOLOGIES; NON-DESTRUCTIVE ANALYTICAL CHEMICAL METHODOLOGIES; ARCHAEOMETRY; ANALYSIS PROTOCOLS; POTTERY; MOSAICS; WALL PAINTINGS; ROMAN ARCHAEOLOGY; ETRUSCAN ARCHAEOLOGYDevelopment of reliable guidelines in the chemical characterization of works of art; case study: Vesuvian area (Hercolaneum and Pompeii)
Università degli Studi di BariAbstract
The aim of the project is the development of innovative analytical methodologies as well as the optimization of already established procedures to be employed for the chemical and physico-chemical characterization of archeological samples.Ceramics, mosaics, glasses, bronzes and wall paintings from Vesuvian area (Hercolaneum, Pompeii), dating from VI sec. B.C. to 79 A.C., will be analysed by a systematic approach based on the use of complementary micro-distructive/non-destructive techniques in order to get precious information about production techniques, raw materials, degradation status. This information will lead to make hypotheses on the provenance of objects, the school of the artisans,the existence of commercial as well as cultural exchanges.
Deliverables of the project will be well defined protocols which could serve as reliable guidelines in archeometric investigations similar to those of the present study, helpful in the selection of the better approach to get the right answers to clear archeological questions with the minimum invasive impact onto the good of arts.
The presence of a research unit composed from archeologists and specialists in archeological heritage conservation ("Funzionari di Soprintendenza"), as well as the presence of archeologists within the other research units represent a point of strength of this project in that they will guarantee the consistency of the archeological objects, define the selection of proper sites for >>>
Principal Investigator
Luigia SABBATINI Università degli Studi di BARIResearch Objectives
The aim of the project is to emphasize the role and the power of chemical characterization in the study and valorization of archaeological heritage.A comprehensive and interdisciplinary methodological approach will be implemented in order to define protocols which could serve as reliable guidelines in archeometric investigations, with two main goals:
- the selection of the better approach to get the right answers to archeological questions
- the reduction of the invasive impact of chemical analysis onto the material evidence of cultural heritage.
The project will develop essentially through two main research lines to reach the following targets:
1)Set up of innovative analytical chemical procedures and optimization of established methods
2)A multifaceted characterization of selected archaeological materials as test-field of the developed methodologies.
The project consortium is composed of five Research Units (RUs): Bari-BA, Bologna-BO, Modena-MO, Parma-PR, Venice-VE. Four of the five RUs (BA, MO, PR, VE) are mainly composed by chemists, while RU-BO is composed from archaeologists and specialists in archeological heritage conservation ("Funzionari di Soprintendenza") and will be the reference for archaeological activities.
A continuous interaction among the RUs will be essential to reach the project targets; actually, a set of complementary tasks are assigned to each Unit in order to create a frame of activities >>>
Timescale
24 monthsNational and international background
Among the current historiographic trends in the field of archaeology, the theme of "Crafts Archaeology" [1] is rapidly developing. This theme is included in the wider area of "material culture "considered, in general "as attention for all man products and, in the same way, as investigation of the relationships of production, trade, use" (1, p.XIII). Recently, in the view of a closer and more effective collaboration among different disciplines that were not interacting so far – humanistic and scientific - the aspects indicated above have been studied not only with traditional archaeological methods, but also using archaeometric techniques, that revealed to be efficient and indispensable, to answer new questions or to reconsider old hypotheses in history, that were not based on solid evidences.Among classes of archaeological materials wall paintings, floor moasaics and pottery have certainly been the most studied findings and will represent, with also glasses and bronzes, the case studies of the present project, in particular, the production unearthed in the archaeological sites of Vesuvian Area (Pompeii and Herculaneum).
The research unit of Bologna, as well as other groups, is working since many years on archaeological/archaeometric projects focused on these sites but many questions remain still open [2-6].
Wall paintings: is it possible to recognize a single workshop by the identification of materials and painting technique? Which are >>>



