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RESEARCH PROGRAM
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Research Units
Similar research programs:
- 1 - Literature and Ideology between Late Republic and Early Empire
- 2 - Studies on the Roman comic theatre and its reception, and carrying on of the critical edition of Plautus' comedies and preparation of critical edition with comment of Atellana.
- 3 - Forms of philosophical commentary from Late-Antiquity to Late Middle Ages (5th-16th century): doctrinal inquiries and critical editions of texts
- 4 - Critical and electronic edition of Marsilio Ficino's complete works
- 5 - Epigraphic and literary monuments belonging to medieval Iran, Central Asia and India: philology and lexicography.
- 6 - Epigraphic and literary monuments belonging to medieval Iran, Central Asia and India: philology and lexicography.
- 7 - Forms of philosophical commentary from late-antiquity to later middle ages(5th-16th cc.): theoretical studies and critical editions of texts.
- 8 - DIGITAL PHILOLOGY: EDITIONS OF MEDIEVAL LATIN TEXTS
- 9 - The making of the philosophical traditions. Platonism and Aristotelianism in the Post-Hellenistic age
- 10 - Issues of German classical philosophy: edition of texts and critical studies
Scientific and education field classification
Geographical classification
- Region: Toscana
Bibliografia
Per i riferimenti bibliografici si rinvia alle bibliografie specifiche delle singole unità. Si indicano qui di seguito alcuni titoli rilevanti per l'inquadramento storico-letterario della ricerca nel suo complesso.Raaflaub, Kurt A. and Mark Toher, edd. Between Republic and Empire: Interpretations of Augustus and his Principate. 1990. University of California Press.
Zanker, Paul. The Power of Images in the Age of Augustus. 1988. University of Michigan Press.
Peter White "The Friends of Martial, Statius, and Pliny, and the Dispersal of Patronage," Harvard Studies in Classical Philology 79 (1975): 265-300.
id. Amicitia and the Profession of Poetry in Early Imperial Rome," Journal of Roman Studies 68 (1978): 74-92
id. "Positions for Poets in Early Imperial Rome," in Literary and Artistic Patronage in Ancient Rome, ed. B. K. Gold (Austin, 1982): 50-64.
id. "Maecenas' Retirement," Classical Philology 86 (1991): 130-38.
id "Latin Poets and the Certamen Capitolinum," in Style and Tradition: Studies in Honor of Wendell Clausen, ed. P. Knox and C. Fox (Stuttgart and Leipzig, 1998)
S.F. Bonner, Roman Declamation in the Late Republic and Early Empire, Liverpool 1949
E. Cizek, L'époque de Néron et ses controverses idéologiques, 1972;
AA.VV., Pervertere. Aesthetik der Verkehrung, Muenchen-Leipzig 2002,
AA.VV., Neronia VI. Rome à l'epoque neronienne, J.M.Croisille et Y.Perrin (ed,), Bruxelles 2002
S. Hinds, Allusion and Intertext, Cambridge 1998.
H.Erdle, Augusteische Vorlage und neronische Ueberformung, Muenchen 1968
J. Fairweather, The Elder Seneca and Declamation, ANRW II 32, 1984,514-556
E.Fantham, Imitation and Decline: Rhetorical Theory and Practice in the First Century after Christ, CPh 73, 1978, 102-116
E.R. Fantham, Roman Literary Culture, Baltimore 1996
R.Degl’Innocenti Pierini, Tra Ovidio e Seneca, Bologna 1990
R. Degl’Innocenti Pierini, Tra filosofia e poesia, Studi su Seneca e dintorni, Bologna 1999.
I. Lana, Le “Lettere a Lucilio” nella letteratura epistolare, in AA.VV., Seneque et la prose latine, Entretiens sur l’antiquité classique 36, Fondation Hardt, Vandoeuvres-Genève 1991
G. Rosati, Seneca nella letteratura filosofica. Un genere letterario nel cammino verso la saggezza, “Maia” n.s. 33, 1981, pp. 3-15
AA.VV., Seneca e il suo tempo, a cura di P. Parroni, “Atti del convegno internazionale Roma-Cassino, 11-14 nov. 1998”, Roma 2000
AA. VV. Seneca nella coscienza dell’Europa, a cura di I.. Dionigi, Milano 1999
L. Annaei Senecae, De Clementia, libri duo, a cura di E. Malaspina, Torino 2001
Keywords
CRITICAL EDITIONS, SCHOLARLY COMMENTARIES, VERGIL, PROPERTIUS, HORACE, SENECA THE ELDER, ROMAN MIME, ORATORY, DECLAMATIONCritical editions and scholarly commentaries on texts of the Augustan and early Imperial period
Scuola Normale Superiore di PisaAbstract
The research project of the five research units, inspired by the project of a new critical edition of Vergil's Aeneid commissioned to the main proponent, G. B. Conte, by Saur Verlag for the Teubner series, will center in particular on the publication of new critical editions (notably that of Vergil's Aeneid) and scholarly commentaries on critically assessed texts. The classical authors who will be the targets of this editorial enterprise will be mainly Vergil, Horace, Properce, the two Senecas, and the fragments of Roman mime. Even if the main target of the project is editorial and ecdotic, as well as exegetical, editions and commentaries published by members of our research group will aim at a substantial re-interpretation of the Augustan literary system, with a particular attention for the interaction of the literary genres. thse objectives have been selected with an eye to the most significant representatives of the transition between the late augustan period and the early imperial age.The commentaries will be composed according to common criteria, and publication of new works will be decided collegially. Each volume will be preceded by a wide-ranging introductory essay, which will set out the guidelines in the interpretation of the text. The notes will be focalized on issues of a textual-critical nature, as well as relating to matters of literary interpretation. Intertextuality and parody will also be considered. Attention will also be devoted to the >>>
Principal Investigator
Gian Biagio Conte Scuola Normale Superiore di PISAResearch Objectives
Even if the main target of the project is editorial and ecdotic, as well as exegetical, editions and commentaries published by members of our research group will aim at a substantial re-interpretation of the Augustan literary system, with a particular attention for the interaction of the literary genres. these objectives have been selected with an eye to the most significant representatives of the transition between the late augustan period and the early imperial age. The most important authors on which these editorial activities will center will be Vergil (critical edition of Aeneid), Horace (editions of Odes I-II), Properce (Elegies IV), the two Senecas (commentaries on Controversiae and Suasoriae, Hercules Oetaeus), the fragments of Roman mime. For details see the descriptions of specific tasks assigned to the local units as described in 2.3.The commentaries will be composed according to common criteria, and publication of new works will be decided collegially. Each volume will be preceded by a wide-ranging introductory essay, which will set out the guidelines in the interpretation of the text. The notes will be focalized on issues of a textual-critical nature, as well as relating to matters of literary interpretation. Intertextuality and parody will also be considered. Attention will also be devoted to the 'nachleben' of all authors under study.
Timescale
24 monthsNational and international background
VERGILThe present research originates from a proposal issued by Teubner to the proponent, Prof. Conte, to edit a new critical edition of Vergil's Aeneid, to replace the two older editions of Ribbeck and Janell. It is generally assumed that Vergil is among ancient writers one of those with the strongest and soundest textual tradition. Yet, the study of the numerous variant readings preserved by the direct and indirect tradition, as well as the presence of undeniable corruptions and lacunae spread over the entire tradition force on us the conviction that the poem was never completed - a fact that sometimes modern editors seem to forget when they come to establishing the text. Mynors' splendid 1969 Oxford edition, to give just one example, gives a very smooth text, which has become a new vulgata. Mynors, however, seems to glide over passages which are decidedly problematic, and would require further thought. A good starting point is offered by the critical apparatus of two Italian editions, Sabbadini 1930 and Geymonat ("Corpus Paravianum"), 1973, which is also the most recent critical edition of Vergil we have. The latter edition's apparatus contains much erudition which is more pertinent for the history of the text of Vergil than for the users of a critical text. One of the objectves of the new critical edition will be to find a third way between the excessive briefness of Mynors's apparatus and the superabundance of Geymonat's >>>



