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RESEARCH PROGRAM
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Research Units
Similar research programs:
- 1 - Domestic building of Aquileia: the town and the territory
- 2 - Etruscan and Roman Populonia: production, commerce and consumption
- 3 - Hierapolis in Phrygia. Integrated methodologies for the study and recovery for use of a city in ancient Anatolia
- 4 - Re-reading Pompei. The development and transformation of the city from its origins to its destruction.
- 5 - The process of formation of the polis in Crete. Multidisciplinary researches on the urban space area in the cities of Central Crete.
- 6 - Along the aroma and spice routes. The port of Sumhuram and the trade between the Mediterranean, Arabia and India in preislamic times in the light of recent archaeological, historical-literary, palaeo-environmental and archaeometric data.
- 7 - Humanistic research and new technologies - multimedia and diagnostic tools as scientific fundaments and technical resources for conservation, museology and art techniques
- 8 - Elites and subordinate classes in the Late Antique South - stratifications and social dynamics, material conditions and productive orders, urban and rural areas in Apulia and Lucania (integrated researches of history, archaeology and applied sciences).
- 9 - The Third Greece and the West
- 10 - ATELIER, WORKSHOP, YARD. TECHNIQUES AND CULTURE OF THE PRODUCTION IN THE ROMAN WORLD
Scientific and education field classification
Geographical classification
- Region: Friuli Venezia Giulia
Bibliografia
Arte e civiltà 1964 = Arte e civiltà romana nell’Italia settentrionale dalla repubblica alla tetrarchia. Catalogo VI Mostra biennale d’arte antica, Bologna 1964Aurigemma 1963 = S. Aurigemma, I monumenti della necropoli romana di Sarsina, in BullArchit 19, 1963, pp. 1-107
Beschi 1980 = L. Beschi, Le arti plastiche, in Da Aquileia a Venezia. Una mediazione tra l’Europa e l’Oriente dal 2. sec. a.C. al 6. sec. d.C., Milano 1980, pp. 337-449
Borda 1971 (1972) = M. Borda, La scultura di età romana ad Aquileia, in AAAd I,1, 1971 (1972), pp. 59-89
Borda 1973 = M. Borda, I ritratti repubblicani ad Aquileia, RM 80, 1973, pp. 35-57
Cavalieri Manasse 1978 = G. Cavalieri Manasse, La decorazione architettonica romana di Aquileia, Trieste, Pola, I. L’età repubblicana, augustea e giulio-claudia, Padova 1978
Chiesa 1957= G. Chiesa, Una classe di rilievi funerari romani a ritratti dell’Italia settentrionale, in Studi in onore di Aristide Calderoni e Roberto Paribeni, 3, Milano 1957, pp. 385-411
Ciliberto 1996 = F. Ciliberto, I sarcofagi attici nell’Italia settentrionale, Bern 1996 (Beih. HABS 3)
Ciliberto 1997 = F. Ciliberto, Sarcofagi orientali ad Aquileia, AquilNost 68, 1997, cc. 213-224
Camporini 1979 = E. Camporini, Corpus Signorum Imperii Romani. Italia Regio XI Mediolanum – Comum, 1. Scultura a tutto tondo del Civico Museo Archeologico di Milano provenienti dal territorio municipale e da altri municipia, Milano 1979
Carducci 1961 = C. Carducci, Aspetti della scultura romana in Piemonte, in Atti 7. Congr. Int. Archeol. Class., Roma 1958 (1961) pp. 461-474
Carducci 1965 = C. Carducci, Influences et traditions celto-gauloises dans les sculptures du Piémont romain, in Atti 8. Congr. Int. Archeol. Class., Paris 1963 (1965), pp.199 -201
Casari 2004 = P. Casari, Iuppiter Ammon e Medusa nell’Adriatico nordorientale. Simbologia imperiale nella decorazione architettonica forense, Roma-Trieste 2004
Compostella 1996 = C. Compostella, Ornata sepulcra. Le “borghesie” municipali e la memoria di sé nell’arte funeraria del Veneto romano, Firenze 1996
Denti 1991a = M. Denti, I Romani a Nord del Po, Milano 1991
Denti 1991b = M. Denti, Ellenismo e romanizzazione nella X Regio, Roma 1991
Dexheimer 1998 = D. Dexheimer, Oberitalische Grabaltäre. Ein Beitrag zur Sepulkralkunst der römischen Kaiserzeit, Oxford 1998 (BAR 741)
Favaretto 1970 = I. Favaretto, Sculture non finite e botteghe di scultura ad Aquileia, Venetia 2, 1970, pp. 127-321
Frova 1986 = A. Frova, Temi mitologici nei rilievi romani della Cisalpina, in Scritti in ricordo di Graziella Massari Gabello e di Umberto Tocchetti Pollini, Milano 1986, pp. 173 – 193
Furtwängler 1903-04 = A. Furtwängler, Das Tropaion von Adamklissi und provinzialrömische Kunst, in Abhandlungen Bayer. Akad. 22, 1903-1904, pp. 453-516
Gabelmann 1968 = H. Gabelmann, Oberitalische Rundaltäre, RM 75, 1968, pp. 87-105
Gabelmann 1973 = H. Gabelmann, Die Werkstattgruppen der oberitalischen Sarkophage, Bonn 1973 (Beih. BJbb 34)
Gabelmann 1977 = H. Gabelmann, Zur Tektonik oberitalischer Sarkophage, Altäre und Stelen, in BJb 177, 1977, pp. 199-244
Ghedini 1980 = F. Ghedini, Sculture greche e romane del Museo civico di Padova, Roma 1980
Ghedini, Rosada 1982 = F. Ghedini, G. Rosada, Sculture greche e romane del Museo provinciale di Torcello, Roma 1982
Ghedini 1990 = E. F. Ghedini, La tradizione ellenistica nella scultura aquileiese. Rapporti con l’Egeo orientale, in AAAd 36, 1990, pp. 255 – 267
Hagenweiler s.d. = P.E.G. Hagenweiler, Römische Ausstattungskunst in Oberitalien, Mainz senza data (Beih.BJbb 54)
Mansuelli 1957 = G.A. Mansuelli, Genesi e caratteri della stele funeraria padana, in Studi in Onore di Aristide Calderoni e Roberto Paribeni, 3, Milano 1957, pp. 365-384
Mansuelli 1958a = G.A. Mansuelli, Monumenti a cuspide e cippi cuspidati. Contributo allo studio della tipologia monumentale dell’Italia settentrionale, AquilNost 29, 1958, pp. 17-24
Mansuelli 1958b= G.A. Mansuelli, Studi sull’arte romana dell’Italia settentrionale. La scultura colta, RIA 7, 1958, pp. 45-128
Mansuelli 1960 = G.A. Mansuelli, Elementi ellenistici nella tematica monumentale della valle del Po, ArtAntMod 1960, pp. 107-131
Mansuelli 1963 = G.A. Mansuelli, Les monuments commémoratifs romains de la vallée du Po, MonPiot 53, 1963, pp. 19-93
Mansuelli 1965 = G. A. Mansuelli, Le caractère provincial de l’art romain d’Italie du Nord avant le Bas-Empire, Actes du VIIIe Congrès International de l’Archéologie Classique su « Le rayonnement des civilisations grecque et romaine sur les cultures périphériques », Paris 1963 (1965)”
Mercando 1998a = L. Mercando, Archeologia in Piemonte. II. L’età romana, Torino 1998
Mercando 1998b = L. Mercando, G. Paci, Le stele romane in Piemonte, Roma 1998
Mian 2004 = G. Mian, I programmi decorativi dell’edilizia pubblica aquileiese. Alcuni esempi, AAAd 59, 2004, pp. 425-509
Pensabene 1987 = P. Pensabene, L’importazione dei manufatti marmorei ad Aquileia, AAAd 29, 1987, pp. 365-399
Pflug 1989 = H. Pflug, Römische Porträtstelen in Oberitalien. Untersuchungen zur Chronologie, Typologie und Ikonografie, Mainz 1989
Poulsen 1928 = F. Poulsen, Porträtstudien in norditalienischen Provinzmuseen, Copenhagen 1928
Rebecchi 1976 = F. Rebecchi, Le stele di età tetrarchia al Museo di Aquileia. Documenti tardoantichi per la storia della città, AquilNost 47, 1976, cc. 65 - 142
Rebecchi 1978 = F. Rebecchi, I sarcofagi romani dell’arco adriatico, AAAd 8, 1978, pp. 201-258
Rebecchi 1998 = Rebecchi , Scultura di tradizione colta nella Cisalpina repubblicana. Evoluzione e cronologie aperte, in Optima via. Atti Conv. Int. Di studi su Postumia. Storia di una grande strada romana alle radici dell’Europa, Cremona 1996, Cremona 1998, pp. 189-206
Rossignani 1975 = M. P. Rossignani, La decorazione architettonica romana di Parma, Roma 1975
Saletti 1968 = C. Saletti, Il ciclo statuario della basilica di Velleia, Milano 1968
Saletti 1974 = Un aspetto dell’arte provinciale nei rapporti tra Cisalpina e Narbonense. Gli archi onorari, in RendIstLomb 108, 1974, pp. 223-235
Saletti 1993= C. Saletti, I cicli statuari giulio-claudi della Cisalpina. Presenze, ipotesi, suggestioni, in Athenaeum 81, 1993, pp. 365-390
Saletti 2001 = C. Saletti, Nuove osservazioni su un gruppo giulio-claudio di Luni, in QuadStLun 7, 2001, pp. 17-26
Schober 1923 = A. Schober, Die römischen Grabsteine von Noricum und Pannonien, Wien 1923
Schober 1930 = A. Schober, Zur Entstehung und Bedeutung der provianzialrömischen Kunst, ÖJh 26, 1930, pp. 9-52
Scrinari 1972 = V. Santa Maria Scrinari, Museo Archeologico di Aquileia. Catalogo delle sculture romane, Roma 1972
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Keywords
FIGURATIVE PRODUCTION, MONUMENTAL CONTEXTS, ROMAN CISALPINEFigurative production and monumental contexts in the Roman Cisalpine
Università degli Studi di TriesteAbstract
The research program on the figurative production and the monumental contexts in the Roman Cisalpine will be summarized following the goals of the single units.The area of research of the group of the University of Pavia will include the territories along the Po river and, in a more general sense, South-Western Cisalpina. An investigation, in particular, of the following ancient collections has been planned (and partially begun, see bibliography.
The preliminary work will involve the cataloguing and analysis of all the sculptural testimonies from Ticinum and its territory, including pieces preserved in the context of local exhibitions, pieces which have been re-used in modern contexts and pieces from recent excavations. This preliminary analysis will allow us to complete the publication of an issue of the CSIR of the area.
The Milan Research Unit intends to study four aspects of Roman sculpture in Cisalpine Gaul, until now scarcely investigated. Special attention will be paid to the state sculpture (cuirassed statues, equestrian groups) and the decorative sculpture (marble furniture, decorative works). Not less important the research on architectonical decoration, conducted particullarly in the ancient towns of South Lombardy and East Piedmont.
Finally, the group of the Milan University is specially interested on analyzes of materials (imported marble, local stones, colored stones, precious materials).
The group of >>>
Principal Investigator
Monika Verzar Bass Università degli Studi di TRIESTEResearch Objectives
This research purports to investigate the figurative heritage (especially sculpture) of the whole of ancient Northern Italy (Regiones VIII, IX, X, XI) and the contexts in which this heritage is found. Where possible, within monumental contexts, I will examine also non-sculptural figurative data (especially from mosaics and paintings), with the goal of reconstructing the original complex and its transformations over time (such as the extension of imperial cycles or the re-employment of sculptural material in late antiquity).The basis of this research will be a systematic census of the material preserved in public and private collections, in museums and other cultural institutions, as well as of the material still found in loco in the Northern Italian area. This census will be integrated by archival and bibliographic research aimed at finding useful information both for identifying pieces of unknown provenance and for retracing missing material. There is no doubt that such an inventory will be useful for the organizations that look after our cultural heritage. All data will be stored in computer files with a database in conformity with ICCD guidelines.
The research will cover the following directions:
(1) Sculpture
• Public sculpture (honorary statues, imperial cycles, celebrative monuments etc.);
• Private sculpture (domestic decoration, funerary decoration etc.);
• Architectural decoration, both public and private;
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Timescale
24 monthsNational and international background
* All the bibliographic indications (including author and year) are recorded in paragraph § 2.2a, in which the publications of the coordinators of the various research units are excluded.For a long time, the figurative production of Cisalpine Gaul has been almost totally neglected, even though it was generally considered an important region for the transmission of urban and central-Italian prototypes to the western provinces. This hypothesis was formulated at the beginning of the 19th century by A. Furtwängler who coined, in his study on the Trophaeum of Adamklissi, the term “Soldatenkunst”. A. Schober too, although in a less evident manner, referred to the role of Northern Italian art in his research on funerary art in Noricum and Pannonia, edited after WW I, as well as in his basic study on the origin of provincial art published some years later in 1930. At the same time, F. Poulsen studied the portraits of the provincial museums of Northern Italy, but without evidencing the specific characteristics of the artistic manifestations of this particular “province”. In fact, later on, all archaeologists used the term “provincial” only for the first Republican period or Late Antiquity. Instead of using this term they preferred to speak of “peripheral” art. In any case, the Roman artworks in Northern Italy were never really mentioned and many scholars seemed to avoid this geographic region. In 1937, L. Hahl, in his “Stilentwicklung der provinzialrömischen Plastik >>>



